
“The first thing we do, let's kill all the lawyers.” You might recognize that line, from Shakespeare’s Henry VI, Part 2, as famous, but its meaning has been roundly debated. Some scholars insist that the speaker, a ne’er-do-well character aptly named Dick the Butcher, is serious because he detests lawyers, since they are virtuous defenders of justice. Other scholars insist just as loudly that because the scene is one of Shakespeare's comic-relief guttersnipe-street-people scenes, the remark is spat out as a laugh line aimed at corrupt lawyers and their high fees. Me, I think Will was, as usual, slaying two meanings with a single line. That would work today, too. On the one hand, more than 700 and still counting former Federal prosecutors have signed an open letter stating that had the acts committed by Donald J. Trump as outlined in the Mueller Report been committed by any other American citizen, that...
This year during April (designated by the Library of Congress Poetry Month), I've been offering us all a break from prose, instead devoting the blog to some of my older poems—specifically poems about the making of poetry itself, even though these two below diverge slightly from that theme. The first, a light verse (growing darker) piece titled, "On the Watergate Women," was written in the 1970s but seemed ripe for revisiting this particular week, although some younger readers may want to look up now forgotten names that are indelible for those of us who survived this kind of national trauma before. The second, "Lithographers," does return to the theme of creating art but the metaphor is visual: print-making. The arduous process of "making" is the same, however, and "Lithographers" is about the forging of art and, not incidentally, the forging of love. ON THE WATERGATE WOMEN Maureen Dean, wearing persimmon summer silk, sits...
PIECING (for Lois Sasson) “Sometimes you don’t have no control over the way things are. Hail ruins the crops, or fire burns you out. And then you’re just given so much to work with in a life and you have to do the best you can with what you got. That’s what piecing is. The materials is passed on to you, or is all you can afford. But the way you put them together is your business. You can put them in any order you like. Piecing is orderly.” – An anonymous woman quoted in The Quilters: Women and Domestic Art Frugality is not the point. Nor waste. It’s just that very little is discarded in any honest spending of the self, and what remains is used and used again, worn thin by use, softened to the pliancy and the translucence of old linen, patched, mended, reinforced, and saved. So I discover how I am rejoicing slowly...
During April, Poetry Month, each week this blog will offer one of my poems about poetry and art. "I believe that in this physical, space-time world of our experience there are things which do not fit the grammatical scheme of expression. But they are not necessarily blind, inconceivable, mystical affairs; they are simply matters which require to be conceived through some symbolistic schema other than discursive language." —Susanne K. Langer Why, caring as I do for trees, am I condemned to poetry? why compelled to serve a life sentence stuttering this syntax of...
For the record, let me be clear. I would give up my US citizenship if it meant I ever had to vote for Donald J. Trump. If the only opposition to Donald J. Trump from the Democratic Party or any other political party was a platypus, I would be among the first to wear buttons proclaiming Duck Billed Platypus for President! Who can better bring us together? An egg-laying mammal! An amphibian! An ancient, fuzzy, refuse-to-go-extinct creature with a duckbill that’s a study in uniting contrasts? You get the point. That said, I’m in need of a vent about the would-be Democratic candidates, more of whom pile on each day. Let me specify. I’m in need to vent about the boys. Oh. I should also say upfront that I believe strongly in the right of any American citizen to run for any office, including the presidency, law permitting. This is not about...
I’ve been so historical and serious in these posts recently that I thought it was time to move into the present—but only after this quick postscript to my previous three-part meditation on Suffrage(s): Check out MonumentalWomen.org to learn about the women—a diverse group—who have already committed themselves to creating a Women’s Rights Trail in New York, building (literally) on the completion of their previous campaign for the Stanton-Anthony monument in Central Park. Now back to the present—and while this isn’t quite about What I Did Over Spring Break, it could be subtitled What I Learned Over Spring Break. Or relearned. It all started with an email out of the blue, from someone at the great haute couture institution of fashion, the legendary House of Dior in Paris. I am not generally your haute couture fashion type—although I clean up pretty good and can be presentable if required. But then this email...